mimican2

I feel your hands in my hair. I feel your breath on my neck. I feel your body pressed so close to mine. I feel your lips on my throat. I feel your hands move to my back and your lips work their way up to mine. I feel you and I love it. I hear you say you love me. I hear you whisper my name. I hear you tell me I'm the only one for you. I hear your breath in my ear. I hear your soft snores as I fall asleep. I hear you and I love it. I see you as I run into your arms. I see your face break through my world of darkness. I see you fight away my fears. I see you wipe away my tears. I see you're in love with me. I see you and I love

1. River 2. Dust 3. Necklace 4. Fence 5. Key 6. Bench 7. Daisy 8. Torn photograph 9. Coffee stain 10. Button 11. Plane ticket 12. Letter 13. Present 14. Microphone 15. Test result 16. Candle 17. Empty bottle 18. Sofa 19. Pillow 20. Loose floor tile 21. Notebook 22. Bark 23. Pen 24. Backpack 25. Party decoration 26. Knife 27. Swing 28. Straw 29. Ferris wheel 30. Table-mat 31. Frisbee 32. Measuring tape 33. Diary 34. Street stone 35. Glass of water 36. Wrapping paper 37. Dinner table 38. Mirror 39. Swimming pool 40. Charm 41. Paintbrush 42. Piano 43. Flame 44. Pajamas 45. Novel 46. Watermelon 47. Ga

1. Know what you're writing. It's easy to get off track while you're writing. Thus it's always a good idea to know what you're writing. As soon as you have a good grasp on what your story is about, you'll find yourself writing quicker. This includes the main plot, a majority of the subplots, and where all the vital plot points are going to be. 2. Know what inspires you and stay around it. Now this doesn't mean that you should go through an entire personal evaluation. It just means to keep track of where you get inspired and what caused the inspiration. For some, it could be listening to music of some sort, while for others, it could be w

One way to add excitement to your story is by adding lots of bad-guys, also known as EXTERNAL Conflict. Another way is by adding INTERNAL Conflict, more commonly known as Angst. I'm sure most of you have noticed by now that most movie characters, and far too many book characters, are One-Dimensional. They do stuff, but they don't face any personality issues: a hang-up, a fear, paranoia, a moral code, a love interest, a strong dislike… Or worse, they do have all these things, but they never really affect the story. There's a Plot Arc, things happen, but no Character Arc. The things that happen don't affect the characters emotionally. W

When writing a Horror story, one must begin with a Monster. The most terrifying of course, are the ones you don't notice, or refuse to notice. The ones right next to you. "The most dangerous werewolves are the ones that are hairy on the inside." -- A Company of Wolves Making a MONSTER Think, who are the people that walk right up to you every day – and you let them? • Your neighbors • Your co-workers • Your friends • Your lover • Your parents • Your siblings • Your children Now imagine if one of them was a man-slaughtering or even man-eating Monster? In reality, it happens all the tim

Writing Emotions VISUALLY "What is ...VISUAL writing?" ~~~~~~~~~~~~~~ -- Visual writing is when the reader can SEE your story unfolding in their imaginations just like a movie.     * Non-visual: It was a dreary day.     * Visual: Icy rain slithered down the window glass from an iron gray sky. This is more commonly known as SHOWING vs. TELLING.     * Telling: It was a dreary day.     * Showing: Icy rain slithered down the window glass from an iron gray sky. "What's wrong with just...Telling them?" ~~~~~~~~~~~~~~ -- The problem lays with Reader interpre